THE 4TH WALL WON’T SAVE YOU Artist Book

680,00

    • Artist book by Arno Beck
    • 30 copies + 5 artist’s proofs
    • Each copy is unique
    • 19 × 25 cm
    • 48 pages, individually hand-colored
    • 20 letterpress embossed prints
    • 1 screen-printed text
    • Combines drawing, printmaking, and text

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Description

The 4th Wall Won’t Save You is an artist book by Arno Beck that brings together drawings, texts, and reflections from his current body of work. The special edition is published in an edition of 30 copies plus 5 artist’s proofs.

Each of the 35 copies is unique. The special editions include 20 letterpress embossed prints and one screen-printed text. All 48 pages are individually hand-colored, making every book a singular object. The publication unites printmaking, drawing, and text into a materially tangible edition in which no two copies are alike.

The title refers to the “fourth wall” of the theater—the invisible boundary between stage and audience that preserves the illusion of performance. In this book, Arno Beck deliberately crosses that boundary. He addresses what usually remains hidden behind the façade of the art world, exposing structures that typically operate invisibly and directing his attention toward the mechanisms of the creative industries themselves.

The book marks a step out of staged representation and into the engine room of artistic production. It does so with an affectionate irony, visual precision, and a dense network of art-historical references.

The drawings in the book accompany and expand Beck’s new series of acrylic paintings on canvas. Formally, he combines the visual language of medieval woodcuts with references to digital image worlds. Meme-like captions disrupt familiar pictorial structures and offer pointed commentary on the art market, artistic labor, and the systems of the creative economy.

Beck understands the woodcut as a kind of “meme of the early modern period”—an early mass medium in which text and image already merged into concise, often ironic commentary. He translates this historical logic into the present, connecting it with contemporary visual language, aesthetics of reproduction, and cultural self-reflection.

The book was realized in collaboration with Schmidt Drenhaus Stiftung, COPE Studio, and Marginal Editions.